“Staging Enslavement: Subjection, Exertion, and the Gestural Economies of Medieval Noh Performance,” Journal of Japanese Studies (under revision)
“Embracing the Glitch: Japanese Maternity and the Comforts of Malfunction in BABY-Q’s MESs,” Women and Performance: A Journal of Feminist Theory (under revision)
“Frayed Fabrications: Feminine Mobility, Surrogate Bodies, and Robe Usage in Noh Drama” (Theatre Survey, 2019)
“Solidarity’s Indiscipline: Regarding Miyoshi’s Pedagogical Legacy” (boundary 2, 2019)
“Desiring Spectacular Discipline: Aspiration, Fraternal Anxiety, and the Allure of Restraint in Nō’s Dōjōji” (Asian Theatre Journal, 2019)
“Homosocial Mentorship and the Serviceable Female Corpse: Manhood Rituals in The Tale of Genji” (Harvard Journal of Asiatic Studies, 2017)
“Dying in Two Dimensions: Genji emaki and the Wages of Depth Perception” (Mechademia, 2012)
“Scripting the Moribund: The Genji Scrolls’ Aesthetics of Decomposition” (Reading the Tale of Genji, 2009)